2.2.6 Shape
As
already suggested the envelopes do not need to be symmetrical. An isosceles
triangle will give a different sonic result to that of a scalene triangle.
The envelopes do not need to be linear. A more rounded envelope will result
in less disturbance of the spectrum of the grain's content. The most common
envelope shape used in granular synthesis is the Gaussian curve1(Gabor
1946: 435). It looks like a bell and is sometimes referred to as a bell
shaped curve.
With all the parameters available for the envelope it is possible to create hundreds of different types of envelopes. These could be categorised into three basic shapes.
Amplitude | |
Time |
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Time |
Fig 2.5: Straight-lined envelopes - Triangular and Trapezium shaped.
Curved
envelopes consist of the probability curves such as Gaussian, and Hanning,
and also a large range of exponential shaped curves. These are more useful
because they have more control over each part of the grain. FOF grains
for example are designed by setting two exponential curves over a sine
wave. One for the attack, and one for the decay. Because curves can be
gradually sloped they are generally used to reduce spectral change induced
by windowing. They can also be used for very steep inclines and declines,
which is useful for introducing a large spectral change. (See fig 2.6)
Amplitude | |
Time |
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Time |
Fig 2.6: Curved shaped envelopes: Gaussian (bell) and exponential.
'Complex'
Envelopes are still very new to the idea of granular synthesis. They consist
of two envelopes. The first envelope is a sinusoidal type wave. Over the
sinusoidal wave is placed another wave, any type of linear or exponential
wave is adequate.
Amplitude | |
Time |
Fig 2.7: Complex envelope shape
This
type of envelope has, until recently, only been used with an analysis technique
called Wavelet Transform (WT). This analysis process was developed
by scientists at the University of Marseille in 1988 for physics and acoustic
applications. (Boyer & Kronland-Martinet 1989: 51) The wavelet is very
similar to a grain, but it's primary service has been analysis of magnitude
of frequency, and phase. This analysis technique is used by windowing a
sound sample with wavelets. (Roads 1996a: 581). Gordon Monro a mathematician
at Sydney University has used Wavelets as a compositional tool. He suggested
that this knowledge could be put into practice with granular synthesis.
(Monro 1996) At the moment though it lies as a vast new area awaiting in-depth
research.